Vol. 2 – No. 2             DECEMBER 2014


Joan McNerney
SeaScape I
SeaScape II
SeaScape III
Neil Ellman
Our World
This Too
The Cyclops
Mahima Gupta
Just another cryptic soul
Lazola Pambo
Xenophobic Society
Let Us Be Love
Jasmeen Griffin
Blue Heron
New Moon
Solomon Olaniyan
Dear Representathieves
Committee Country
We are a Nation
Adreyo Sen
The Ghost
The Lost Children
The Despot
Kevin Sampsel
Turn Shadows Out!
The Diving Bell
JD DeHart
Death of the Jellyfish
Rhino Garden
Aneesha Roy
The Lost Aeon
Only if it were a Trifle
Kitsch under the Marmosa
Abiodun Soretire
The Messieurs, The Masses, The Messes
Way’s Weight
M. L. Emmett
Night Shot with Light
Turkish Smyrna
Peace tattoo
Oyin Oludipe
The Swallows and the Gamble of Rebirth: A Review of Carl Terver’s “Till the Swallows Come Home”
G. Michael Vasey
Big Man
Summer is Here
Basit Olatunji
I Have Encountered in Books
Yuan Changming
[the meditation master takes a nap]
[your cup]
Ram Krishna Singh
Quakes in Elements
Nude Delight
Gail Wolper
Searching for Answers in Brazil
The Prince Says I Write It All In Moments
Ken Trimble
Abioye James
Sreyash Sarkar
The Optical Symphony
The Cage
Enyinda Okey
Symbiosis Sustains Friendship
Reasons I cannot Boast
Allen Forrest
The Capilano River
Goodness Olanrewaju
Anthony Ward
Tied up
Israel Odun
Africanesse Not Darknesse
Wilson Hill
Tairu Abiodun
Lest the neonates are famished
Ambrose Thompson
Sasha Alahm
I’m a Prostitute
Arindam Banerjee
Lost in time
Grace Orebiyi
I am only I
Jay Duret
Holding Almost

About Ijagun Poetry Journal

Ijagun Poetry Journal is a quarterly journal that provides a platform from which we can tell our own stories in the authenticity of their multiplicity through the poetic medium. We don’t want to hear these stories from our master “griots” alone; we want to hear from those mastering their art, too. Hence, we aim at publishing new and emerging poets. We also welcome the works of established poets in order to encourage the poetic genius of those mastering poetic art. We prize original works that conform to, break or reinvent conventions. Again, we accept reviews and critical essays on poetry. We also accept powerful art works and photographs that make us appreciate the "poetry" in everything.
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